Free Today, Paid Tomorrow

23 04 2008

Let’s stick with the giving stuff away for free theme for a bit. So you have established yourself with a steady dull hum if not yet a slight buzz. Your local shows are selling out, you can sell your merch without a problem at the shows and some on your website, you’ve had a couple of A&R types sniff out your manager, you are basically on your way. At this point, there is a good chance that a couple more facts are accurate: 1. while you may be hot sh*% in your home town, the country, let alone the world, has no idea who you are and hasn’t heard your music and 2. you are probably dead broke.

If you have been cultivating your buzz and building your band’s brand, you have put your group in a potentially great position. Here’s why. Think of all of the television shows, commercials, movies, webcasts, radio promos, infomercials, etc. that use music. Granted, some of the big companies like Ford and American Arilines will pay gobs of money to use a Rolling Stones or Led Zeppelin song for their next commercial, but think of all other smaller fish out there that do not have the budget to pay a publisher half a mil to use 19 seconds of Paint it Black. That’s where you and your band’s buzz may come in.

The “hip” companies out there always have an ear to the streets/clubs/myspace music pages looking for the next best thing so they can glom onto him/her/them thereby making their company appear uber cool. If one of these marketing geniuses sees your buzzworthiness you may just find your music or even your bands image, likeness or name in a commercial on television or net. Even if you haven’t released a single or an EP, you can still license your music and wind up in front of a national or international audience. Granted, there are a lot of what ifs in this scenario, but it does happen and its pretty sweet when it does.

A commercial? A song on a tv show? I bet you can visualize the money taking the place of your subway card and random email addresses written on a sticky note in your wallet. Not so fast. Chances are the compensation section of your license agreement for this commercial opportunity reads as follows: promotion value only/no further compensation shall be paid. Well that doesn’t seem right, does it? We’re broke, how can we do anything for free?

While it would be nice to get paid at least the union rate for appearing on a commercial, the fact that you are not in the Screen Actors Guild or the American Federation for Television and Radio Actors is probably a big reason that you got on tv. Even though a video game is purchased by 6 million people across the globe or an episode of the Dog Whisperer was viewed by 2 million doesn’t mean that your music on either one will net you much more than a credit which momentarily flashes on the screen.

4 DVD set of the entire first season of “The Dog Whisperer” at amazon.com

Chin up, even if you don’t get paid for this commercial or license opportunity, chances are many, many more will follow. Putting aside the fact that after this one placement television producers or video game developers or advertisers now know your band’s name or music, just think of the new opprotunities that will open up to your band. Whether they remember it or not, a huge audience has heard your music. This type of placement will go to the top of your press kit and will be the first thing you or your manager or booking agent will say to when trying to secure any type of new business for the band. I’ve seen a free appearance on a commercial or a free placement of a song during a sporting event benefit a singer’s career in a monumental way. More doors open in terms of licensing opportunities, your asking rate for concerts and appearances will go up, more clubs and venues will want to book your now national or international act, and record labels will definitely take notice.

Again, I am not a proponent for giving everything away for free at all times. But, any manager worth his or her salt will tell you that for promotional purposes only sometimes means big money is on the horizon. Well timed promotional licensing of your music or of your band itself is a key to taking the next step to making your music your career. (that’s deep, huh?)




Take My Music, But Leave Your Info

10 04 2008
GIVE ME YOUR MUSIC! (DAMNIT)


Giving your music away for free is not a new concept nor is it something that I just came up with on my own. Although the idea has all but crippled the music industry, it has helped hundreds if not thousands of independent artists get their music to the masses. For an up and comer or even for an established artist (i.e. Radiohead), giving your music away for free can be a potentially brilliant maneuver. That is of course, if you do it the right way.

Bands, djs, rappers, and producers have been handing out mix tapes for decades now. The hope is that the music gets in the hands of a label exec or an A&R guy who then throws bags of money at the artist. This theory has worked (see 50 cent)…just not very often. Forget about the odds against a mix tape landing you a record deal, there is a huge lost opportunity by simply throwing your sample cds out to random outstretched arms at your next show.

In the internet age, one of the most valuable assets that anyone or thing can have is information. Companies pay out the “rear” for good info on who is viewing what webpage. who is buying or bidding on what product, who is watching what video, who is downloading what game or song. They can then tailor their own webpage or decide on which website to place their own advertisements. A band should be no different than any other info hungry business.

When you give your music away, make sure you get the recipients info, their name, address, email address at least. If you have your music in a downloadable format on your website, make your fans join a fan club by entering their info before they can download it. You are not only getting a great database for your fans (think fan club) but now have a built in marketing army. When you have something to sell, whether its music or a dvd or a t-shirt you now have a target market with built in projections of who is going to buy your goods. This should turn into real dollars.

It works even better when you look to license your music to a third party. If you have 5,000 fans that have provided their info in order to download your music, compared to someone who thinks they may have simply given away 5,000 cds you have a huge upper hand when a company comes along who is looking for music to go along with their next commercial or video game. For a relatively unknown artist, licensing remains a real way to make big money. The opportunity to license your music increases when you have more to license then just your music.

Here’s the important legal issue that pops up with the info gathering scenario. Websites usually have privacy policies and terms of use. The terms and policies are usually links at the very bottom of the page, usually never viewed by the everyday web-surfer. The policies are must haves if you are going to retain the information of the users of your site. Disclaimers should be used on the forms that your fans fill out letting them know that you are keeping their info and what, if anything, you plan to do with the info. Terms of use and privacy policies should be drafted by an attorney but should not be a deterrent to keeping track of who are your fans.

Moral of the story: Give your music away for free but profit from the info you retain.








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