Get a License to Drive (your music)

30 09 2008
not this kind of license

not this kind of license

Word on the street is that the labels have no money.  Shouldn’t be exactly shocking to anyone.  No one has any money right now, just ask Washington Mutual or Lehman Brothers (R.I.P.)  The majors are not immue to the troubling economy.  While the government is discussing bailing out Wall Street, chances are that Sony, Universal, and EMI are not going to qualify for any of the $700 Billion in economic aid.

Sorry to be a Debby Downer, but it isn’t looking great out there for anyone trying to get signed by a “major”.  BUT, do not fear, all is not lost!  There are still ways to get your music out there and even make some scratch at the same time.  A crappy economy and a dying industry is the perfect time for the do-it-yourself/self-sufficient musician.

Artists who have crafted their music into a ready to release format are perfect candidates for license deals.  Whether it is a one song license deal to a corporate giant like Budweiser (e.g. Santogold) or a complete album license deal with an independent record label with a distribution chain set up, licensing cuts down on the costs for everyone involved and allows your music to get to the public in a more time and cost efficient manner.

Typical label recording deals tend to tie the artist down with heavy recording costs, mixing and mastering fees as well as graphic and design costs.  Trust me, it is going to be cheaper for your band to go to a friend or a colleague who has a studio and is capable of mixing and mastering than to wait for the label to pick one out and charge industry prices.  Yes you may have some up front production costs, but they will pale in comparison to the fees that show up on your accounting statement from the label. 

Same goes for your artwork.  Maybe you have a graphic artist band member or groupie or something.  Tap all your resources to get your music in a ready to release format. 

Advances are typically lower on license deals, but, again, this is not a bad thing.  Advances are just loans.  The less you have to pay back the sooner you will see a profit.  Use the advance to finalize your project.  Hire that one percussionist you really wanted, clear a sample, trademark your logo, etc.  Just don’t rely on a license deal advance to buy that new Ferrari you have been eyeing. 

Finding a license deal is not always the easiest thing to do (not that anything is easy in this business).  Yet, you may be surprised by the number of opportunities that are presented to bands that have followed this type of model.  Record your music, tour and grow your network.  Create the buzz and the opportunities will follow.

Time for another shameless plug.  Check out this wicked cool video.  Hey Champ will rock you.  Mark my blog!





What’s my Band’s Niche?

23 09 2008

As a musician Identifying your niche is not always an easy thing to do.  Sometimes you pick your own niche.  Sometimes a niche picks you.  One thing that was a clear consensus in yesterday’s Future of Music (www.futureofmusic.org) seminar was that you need to (1) Identify your niche as an artist and then (2) sell your music to that niche.  Great advice.  But what’s a niche and how can your band identify its niche?

A niche is often defined as ”a position exactly suitable for the person occupying it”.  But in music, its a little different.  In music, a band’s niche’s may be in the genre of music that it generally is grouped into by Itunes or Best Buy or by the type of radio station that plays its music.  Oftentimes, the best way to find your niche as a musician is to identify where your fans are coming from. 

For example, Jimmy Buffet has a very particular niche.  A follower of his music even has a descriptive name:  Parrothead.  Parrotheads have a dedicated page on Jimmy’s highly successful (and highly commercialized) web page, Margaritaville.com.  Fans can post their pictures from the latest show they attended, keep up to date on Jimmy’s newest business venture and feel a sense of community with other like minded Cheeseburger in Paradise eaters. 

The Elusive Parrothead Niche

The Elusive Parrothead Niche

A remarkable businessman, Jimmy Buffet has done so well in identifying his niche that he has been able to sell not just his music to his niche fan base, but also beer, hot sauce, a successful restaurant chain, and even numerous Buffet penned novels.  He has identified his fan base and has capitalized on his discovery in a big way.

Some bands will have it easier than others.  If your band models itself after the Ramones or The Kinks, it is clearly going for the punk niche.  If you have two synthesizers and a drummer, you are trying to capitalize on the rising Electro scene (MGMT, Cut Copy).  For genre specific bands, your target niche and consequently your target market is easier to identify.  You will find it easier to book your band at certain clubs and you will be able to sell your merch at specific stores.  Capitalize on that.  Post your flyers, whether paper or electronic, at sites where your target fan base frequents.  Create a community site profile and invite the friends that you already have as well as the other similar bands, clubs and radio station sites that already exist.  Cultivate your niche and watch it grow. 

Uber successful artists are able to cross the lines and appeal to fans of different genres.  Think about the Beastie Boys, Justin Timberlake, or even Lil Wayne.  These artists have been able to go beyond their obvious fan base and “cross over” into new populations thereby increasing the worth of their entire brand.  They have become mainstays on the iPods of 13 year old suburban mall rats, college hipsters and even thirty something professional types.  Their collective niches seem to have no boundaries.

So what about a new band? How does it identify its niche?  What about a band who’s music is not on the radio and who hasn’t uploaded their music to a Itunes, eMusic or Amazon?  Your band may think that it is alt-rock, but maybe your fans are coming from the emo/teen angst scene.  Community websites (a favorite tool of this writer) is a perfect way of determining where and to whom your band should be marketing.  Just look at where your fan base is coming from; what other bands are they into; what type of scene (fashion or otherwise) are they into, etc.  Are your fans blogging about websites like Friends or Enemies or are they more likely to spend time following the happenings on Fake Shore Drive?  Follow the path that is paved by your fan base and you will have an easier time discovering your target audience and therefore your niche.  Once you find it, focus on it and make it your friend.





Your Friends = Your Network = $$$

22 09 2008
 

Bobby Buscher (aka the Waterboy) really just wanted a friend other than his momma and their family horse.  Bobby, like you, knows the value of friendship.  I’m hear to tell you how right you are.

 I don’t know the cold hard numbers of how many people under the age of 30 have some sort of virtual community profile, but I do know that amongst my peers it is about 90% (it would be higher but some people can’t log on to Facebook from work). Whether its MySpace, Facebook or LinkedIn people are “virtually” expressing themselves. As in the past, music is a normal way for any individual to express himself. Now instead of blasting music from your dorm room or dressing like your favorite hair band, people are including their favorite music on their homepage. MySpace profiles are laced with personal media players and Facebook allows you to become fans of your favorite band. So when a friend invites someone to view their page or to become their friend they are not just passing their pictures from their wedding or their latest vacation pics, they are also “virally” passing along their favorite music.

Smart musicians or their management team will allow their music to be added to profiles, but in a streaming only format (don’t want to give it all away without being able to track it). The minute your one fan passes or shares their profile with your music to their network of friends your audience has just increased exponentially (depending on how popular the fan is).

 I have written about the viral loop effect of music before (see http://lawyer4musicians.com/2008/06/19/turn-your-music-into-a-virus/), but it is definitely worth writing about again.  As our economy suffers and pirated music continues to run rampant, musicians need to capitalize on all of their available resources.  One seemingly obvious resource that is consistently overlooked is a musicians friends and colleagues. 

 Case in point:  here in Chicago there has been a huge burst in the “underground” hip hop scene.  With the help of the mainstream rappers like Kanye West and Common, other windy city acts have been able to jump on the scene.  The Cool Kids, Kid Sister, and Kidz in the Hall have been able to capitalize on the attention Chicago hip hop has garnered over the past several months and launch their own careers.  Using the buzz of a growing music scene, brilliant use of community websites, the success of their colleagues, oh yeah, and good music, these once obscure artists have attained national and international recognition. 

friends and colleagues

Friends and Colleagues

Now the next generation is climbing on board.  The Cool Kids were helped out by Flosstradamus, so in turn they lent a hand to Mickey Factz, Hollywood Holt and Mic Terror.  Collaborating on tracks, producing beats, appearing on stage, or hyping each other on their own community webpage, one artist helps out the other.  This isn’t just hippy pay it forward crap, this is good business.  The buzz becomes tangible and concerts with more recognizable lineups are packed, merchandise is moved and careers are launched. 

Check out friendship in action: http://blog.myspace.com/index.cfmfuseaction=blog.view&friendID=7240921&blogID=425195126

As Tenacious D brilliantly crooned:  “Friendship is rare. Do you know what I’m saying to you?  Friendship is Rare.”  Think of your friends as friends first and your potentially viral network second and things may go a.o.k. for you and your music.





Future of Music Event and Fresh Faces

18 09 2008

Exciting stuff in my world this week.  My lovely and talented wife was named as one of the Fresh Faces in Fashion by Gen Art.  Obviously I have known for a long time how truly fresh her face and her jewelry are, but the fashion world has officially caught on to her brilliance.  Check out her wares at www.tokicollection.com.  Guys, special attention should be focused on Toki’s hat trick www.tokicollection.com/hattrick.html.  It’s the perfect gift for a guy to give to his lady friend.  One purchase equals a year of jewelry and, consequently, a year’s worth of your lady’s appreciation (theoretically).  

Unless you express your love to your significant other through interpretive dance or macrame, the hat trick is a  no brainer; trust me.   For more info on the Gen Art Fresh Faces in Fashion go to www.genart.org/fashion.event.htm.                  

More excitement, if you can take it.  The Hideout Block Party is this weekend and all the folks from the Future of Music Coalition folks will be there in full effect ”spreading the word about the importance of net neutrality to musicians as part of One Web Day – a worldwide celebration of the open Internet” (their language not mine).  The block party should be great though as a lot of cool bands are playing.  Check out www.hideoutblockparty.com for more info.

The hits just keep on coming…after the weekend of excellent music and  jewelery purchasing, come to the Future of Music Coalitions: What’s the Future for Musicians? seminar on Monday at the Old Town School of Folk Music.  I will be speaking with some other panel types about how to actually make money as a musician in today’s over-saturated music marketplace.   If you are a musician you can still apply for a free pass to the seminar.  Seminars usually have a NyQuil type effect on me, but this one is chalk full of some great speakers (myself not included) and some pretty interesting topics, so come check it out.

Finally, best band name for a band playing at the Hideout Block Party:   Although it’s tough to beat Neil Hamburger’s Drunken Spelling Bee, I’m giving it to The Uglysuit as they are more of a band as compared to Neil’s Spelling competition and they rock in an appealing melodic way.   Plus they have this wicked flyer ready to go:

 





What’s the Future for Musicians? ’08

5 09 2008

Please check out the Future of Music Coalition’s: “What’s the Future for Musicians?” 2008 conference at the Old Town School of Folk Music on September 22, 2008.  Go to https://www.futureofmusic.org/events/chicago08/regform.cfm to register.  There is a scholarship (free admission) for musicians and students. 

It is a day long seminar that will look at all of the issues that I generally blog about:  new ways of getting your music out there, different mechanisms for artist’s to make money, new technology and its influence and a whole lot more.

Lots of people from every side of the music business will be there to participate and answer questions.  I think there will be refreshments as well, perhaps punch and pie…








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