Are you Exclusive (like a Chinese Democracy)?

22 11 2008
Welcome to the New Hotel California

Welcome to the New Hotel California

The big rock bands today are more often than not bands that made it big yesterday.  By yesterday I mean in the 70′s, 80′s and 90′s.  Think of the biggest bands that appear on Billboard’s Soundscan:  the Eagles, ABBA, Journey, Metallica.  How do these bands stay relevant?  How are they able to top the charts with music that is  not entirely new but instead carries selling points such as “digitally remasterd” or “featuring 2 all new tracks”?  The answer:  EXCLUSIVITY.

The days of the neighborhood record shop are long gone.   If you are still buying cd’s you are buying them at the huge box-retailers like Target, Wal-Mart and Best-Buy.  On-line music is no longer the future, its the present.  The result is a dizzying number of potential outlets to purchase mp3′s or download music for free.  Great for the public and some websites, not great for record labels and big named bands or musicians.

Creative stores and music execs have learned from other industries which have had to combat diluted sales streams.   The “YOU CAN ONLY GET IT HERE” strategy has worked for retailers of all types of goods.  So why wouldn’t it work for music? 

A band with a previously established reputation as a big seller (10′s of millions of records sold) will enter into an agreement with a huge store and agree to only release its music through that store. Enter the exclusive sales agreement.  The Eagles and Journey, both represented by Front Line Management, rather than a record label, have etched deals with Wal-Mart that provided that their new releases (Eagles “Long Road Out of Eden” or Journey’s greatest hits compilation “Revelation”) would only be available for purchase at Wal-Mart.  Similarly, Christina Aguilera’s “Greatest” (I did not give it that adjective) Hits is only available at Target.

You may ask why any band would ever want to be exclusive with a monster chain like Wal-Mart or Best-Buy.  Think of the marketing reach that these mega stores have.  With newspaper, radio, television, internet and direct mail marketing materials from these stores consistently entering our homes the advertising and marketing reach is enormous.  Even in the record labels’ hey-day they were never able to match the marketing reach of today’s mega stores.  The proof is in the sales numbers, not the pudding.  The Eagles physical cd sales hit 711,000 in the first week with all sales going through the registers at Wal-Mart.

Guns N Roses Exclusively at Best Buy

Guns N Roses Exclusively at Best Buy

This weekend will see the release of the first Guns N Roses release in 14 years.  This highly anticipated release, just in time for the holiday shopping season, will only be available at Best Buy.  Best Buy has paid an “undisclosed” amount for the exclusive right to sell Chinese Democracy.  Best Buy’s upper management is banking on the millions of anxious GNR fans, the holiday season (albeit during a recession) and the collateral sales (customers buying a cd and an ipod or tv) it will make by bringing the fans into the store.  Will the deal make money for Best Buy?  Only the Best Buy brass will know, but chances are Chinese Democracy will have a long life on top of the charts.

What about the thousands of bands who do not have the clout of Guns N Roses or the Eagles?  Well up and coming buzz bands or even bands who have hit the 100,000 sales mark will not be able to grab a deal with Target any time soon, but options are out their for creative bands and management.  Write an exclusive song for a new music project like Green Label Sound or a website like Imeem.  The cross promotion will have the same, obviously on a smaller level, as the big guy’s exclusive deal.  Partner with an innovative company.  Rapper Xzibit is rumored to have reached a deal with Dodge to include his last release in new Dodge cars.  His sales numbers were automatically increased based on the number of cars produced.   Think outside the box and you will see increased sales and new opportunities.

SHAMELESS SELF PROMOTION OF THE WEEK

the whiteshadow at work

the whiteshadow at work

DJ WHITESHADOW is on the road again.  For those of you who don’t know check him out when he roles into your town.  For those of you who do know the whiteshadow, you already know his skill(z).  Download his music and check out his new projects:  DJWHITESHADOW.COM.





You Are What You Own

12 11 2008

Now more than ever being independent in the music business is important.  Its importance may be your band’s goal or, conversely, your independence is thrust unwillingly thrust upon you.  The key is making that independence work for you in every possible way.

The typical music recording agreements today include a multiple album commitment from the artist with an option for additional albums.  Unless you have clout, the form agreements coming out of New York, Memphis and Los Angeles will give ownership of all of your master recordings (your songs) to the label.  Ownership transfers even in most 360 deals (the topic of my next post).  The real whopper is that even though your band complies with the agreement and the label owns your music, the normal recording agreement will not include what is known as a release commitment.  

A release commitment is something that every band should try to get from a label.  It gives a date certain for the release of the music that you have turned in for your album.  There are horror stories of artists that have turned in music to a label only to see the label sit on the album for months or even years.  I believe the rapper Saigon waited over 5 years to release his debut album.  Not much of a buzz left after waiting that long.  Having language in your agreement which puts the burden on the label to actually release your language or forfeit their rights under the recording agreement is the best way to make sure this doesn’t happen to your band. 

Just like every other industry in the U.S. right now, the music business is running on fumes.  The Recession is hurting record sales (physical and digital), merchandise and concert tickets.  So even if you have signed with a label, there is no guarantee that your label will (a) be able to fulfill its obligations under the agreement or (b) exist next month.  What happens if you sign with a label and that label’s distribution company goes belly up?  Unless you asked for a release and/or distribution commitment in your agreement, you may be stuck waiting for your label to work out a new deal with another distributor.  Either way your music is delayed in getting out (if it does) or you are back to square one: a great album with no means to get a physical copy out to your fans.

So should you just give up?  Like our friends from Galaxy Quest: Never Give up! Never Surrender

Do not despair.  Remember the title of this post.  Don’t rely on anyone else.  Especially in these tough economic times, bands have to get creative to make a buck.  If you are a band who has a buzz, can pack a 300 person venue, sells out of its merch at its show, etc., traditionally you would look to a label to swoop in and sign, wine and dine you.  Like I said, those days are over and even if they, do you really want to sign a recording agreement? 

It’s time to get creative.  Do everything you can yourself first.  Register your copyrights under your own band name.  Register your band’s name and logo as a trademark yourself.  Use every single contact you can to get your music to the next level .  Look to sponsors (RED BULL LOVES TO MUSIC), like minded third party companies (Apple), concert promoters, party planners, management companies, anyone who has the ability to do what you cannot do yourself.  Go strictly digital.  Contact digital distribution companies (read below) to get your music to websites in other countries.  Do what it takes to get your music out and build your band’s brand. 

Its not an easy road.  You definitely have to treat your band like a business.  But just like other small business owners you will directly benefit from your hard work because you, not a label, own your band.  You will be able to negotiate your own deals, collect 100% of the royalties, spend money when you think its appropriate and distribute income when you want to rather than waiting for someone else to pay you. 

So whether you choose to go the independent route or you went with a label that dropped you or dropped off the face of the earth, you are in a pretty good position.  Not easy, but definitely doable. 

 

SHAMELESS SELF-PROMOTION OF THE WEEK

Check out Digital Distribution Company Seed-Ny: 

Seed is an awesome digital distribution company that works with labels and artists to get their music out to the public via websites and digital outlets all over the world.   They work to license your music to places you definitely have heard of and others you didn’t even knew existed.  Check them out:  www.seed-ny.com and www.myspace.com/seedny.  Tell them lawyer4musician sent you (but only if your music is good ;))








Follow

Get every new post delivered to your Inbox.