L4M ANNOUNCES 2010 SHOWCASE

4 01 2010

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We are proud to announce that L4M  will be hosting its second annual independent artist showcase during the convention in Austin, TX (an unofficial showcase during the South by Southwest Event).  Click Here for more details on how you and/or your band could be part of the showcase.  Thanks to L4M, Stahl Cowen and our sponsors, the event is going to be bigger and better than last year.

Stay tuned for more details and profiles of the musicians already signed up to perform.

Thanks,

Josh, Brian and Eric a/k/a L4M





Section 181 Renewal On Hold (Temporarily)

27 12 2009

Thanks to my readers and an exhaustive search of government web sites, it appears that the time frame for passing the Tax Extender Act of 2009 has been…extended.  The United States Senate Committee on Finance issued this statement on December 22, 2009:  CLICK HERE.

Thanks in large part to the extensive health care reform debate, this important piece of legislation, which contains a one year extension of Section 181, will have to wait until 2010 for a Senate vote.  The statement indicates that the Senate hopes to have a “seamless extension” for important tax benefits.  So, while we cannot quite exhale yet, it is a bit of a relief to know that the Senate is still planning on picking up where the House of Representatives left off.  It is not clear if there will be any gap in coverage for qualified films, but the indication from this statement is that there will not be any issues for films which have not or will not begin production in 2009.

As always, stay tuned…

Special thanks to Joe Gold for the heads up.  http://www.goldcapfilms.com/





L4M is Dedicated to His Clients (lollapalooza ’09)

8 08 2009

This weeks shameless self promotion goes to….Me!  I am so dedicated to my clients that I braved the torrential, monsoon, like conditions yesterday at Chicago’s Grant Park to support my clients. 

Well, maybe that’s a bit over the top.  It was pretty nasty, but I certainly was not the only one willing to endure the elements in order to take in some great music. 

The Self Promotion Plug really goes to Hey Champ.  They are a great example of a success in the new music industry.  While they are signed to Lupe’s First and Fifteenth, they continue to create their own opportunities through their connections with CAA and a dedicated management team (Bandit Productions).   This is a band that created their own buzz with great music and an awesome self-produced video.  The hard work has landed them national tour, spots at All Points West and yesterday the main stage at Lollapalooza.  Check it out below (plus the bad weather):

Hey Champ on the Main Stage

Hey Champ on the Main Stage

 

Big Crowd Feeling HC

Big Crowd Feeling HC

                                                                                                                                                                   

Bandit Productions Hard at Work

Bandit Productions Hard at Work

lolla 09 033                                                              

               

Corry loved the weather.

Corry loved the weather.

wet but fun

wet but fun





L4M SHOWCASE IS BUZZWORTHY

11 03 2009

flyer-for-sxsw13

The L4M Showcase is popping up all over the music radar.  We are getting great looks from music fans of all types. Be sure to check it out.

Check out the mentions by

Vapors

Karmaloop

Ultra8201

ShowlistAustin

Elbo.ws

Austin 360

A Thousand Grams

Evil Monito Magazine

Austin Hip Hop Scene

For press or further info about the event please contact Tonia Kim at tonia@catharsisnyc.com.





L4M SHOWCASE IS SET

6 03 2009

flyer-for-sxsw1

COME ONE, COME ALL!

catharsis2

Special thanks and “love” to CATHARSIS-NYC.  If you don’t know who Catharsis is or what they do, you should.  Check out their web page (www.catharsisnyc.com) and talk to James Kim and Tonia Kim at the L4M Showcase to see how Catharsis can make your event as great as this one promises to be.  They are on top of their game and have some of the best connections in the entertainment, graphic design and creative community.

Catharsis makes it Pop

Catharsis makes it Pop





KIDZ ARE IN THE HALL AND AT THE L4M SHOWCASE

24 02 2009

The lineup is now set (well, pretty much set, we may still add some more acts) for the Lawyer 4 Independent Music Showcase.  Kidz in the Hall will be rounding out the already awesome lineup.

In addition to the Kidz we are lucky to have Fatlip, Hey Champ, French Horn Rebellion, Whatzisface and DJ White Shadow.  All of these artists are at different stages in their careers but none of them could have gotten to where they are without the proper team around them.  So the collective team will showcase the collective talent.

If you are going to be down in Austin, you gotta come by the show.  Let me know if you need more info.





Movies and Music, Still Possible Money Makers

6 02 2009

From indie to major (bucks)

From indie to major (bucks)

How depressing is the economy?  For musicians and industry professionals who make a living off of musicians, times are as sad as a Cure ballad.  Not a day goes by without a record label, distribution company, or music marketing company shutting its doors.  Up front advances are a thing of the past.  Traditional record deals are dead (which is not a bad thing) and it is getting harder and harder to find corporate sponsors to shell out five to six figure licensing fees.

What is a rocker to do?  Go see a movie (naturally).  Two industries tend to be recession proof in the US:  Movies and Booze.  People like to escape and what better way to do that then going to a movie or a bar and forgetting about the bonus that is not on its way or the third job you just took on to afford gas money for the band’s van.  If you can find a brew n’ view in your town, no doubt it is packed with soused movie goers on a nightly basis.

Unless you have a distillery in your basement, the likely alternative may be to invest in movies.  Granted the majority of my audience may not be at the stage in his/her life where they are even thinking of making an investment.  However, for those lucky few readers out there, this is the time to invest in movies.  State and federal tax incentives limit the potential risk by up to 70% in some cases.

Think I’m nutso?  Think movies are riskier then investing in a hedge fund run by some dude named Ernie Nadoff?  If so, then read this:  SCENE STEALER:  SUDDENLY, HOLLYWOOD SEEMS A CONSERVATIVE INVESTMENT.  See, the New York Times agrees with me too.

Movies that cost between 1 and 7 million are constantly making money.  Think of the different revenue streams:  box office, product-tie-in/placement, dvd sales, merchandise sales, on-demand sales, on-line (itunes/amazon/netflix) sales, etc.  So even those low-budget craptastic voyages about a third rate dance squad can turn a profit.

What about the musicians?  Think licensing!   While the low budget movies that are made today do not have huge budgets for music, they still need music.  Enter the independent artist looking to get his band’s music out to a wider population.  Most indi flix will give little to no money up front but will give a back end participation to the artist, meaning that the band will earn money based on the sale of the soundtrack.  An added bonus is the distribution that the movie’s soundtrack gives to a musician without any distribution rights.  Think of Juno or Garden State; staples of most hipster kids’ ipods.  Several of the artists on those soundtracks did not have distribution but were able to rake in money when the movie and the soundtrack took off (via physical and digital sales).

41_various-artists_garden-state-soundtrack





Section 181: Why Don’t You Use it Already?

17 01 2009

I have written about Section 181 and the tax benefits it gives to film makers and music video producers in the past.  Well, I did it again.  It continues to amaze me that more people in the entertainment industry are simply not aware of this tax break.  It is an amazing way to save money and give your investors some peace of mind.  Here is an article that is going to published this month by firm.


American film makers and savvy investors received a bailout of their own recently. H.R. 6049, the Renewable Energy and Job Creation Tax Act of 2008 (“Act”) recently passed the House of Representatives and then became law by passing the Senate with a 93-2 vote. Buried deep within the Act is an extension of Subsection (f) of Internal Revenue Code Section 181 (“Section 181”). The Act calls for the one year extension of Section 181 from December 31, 2008 to December 31, 2009. For the select few that were already aware of the benefits of Section 181, this is good news (great news if it passes the Senate). However, for most Americans, they have no idea what Section 181 is and how they could potentially benefit from it.


Section 181 was Congress’ reaction to what had come to be known as Runaway Productions. A Runaway Production was a movie or television show that was typically produced by Americans and filmed in the United States which left the to be produced and filmed on foreign soil. Hollywood, like many American industries, had grown tired of the high cost of labor and taxes in the United States. Canada and other countries, identifying the potential financial benefit, took advantage and successfully lured American film and television production to their soil.


The government’s reaction was to include Section 181 within the American Jobs Creation Act of 2004. Section 181 offers tax incentives for investors in independent film and television productions. An investor may deduct the money which is invested in a film or television production and actually spent or utilized by the production from his or her passive income earned in the same year. If the investor is also actively involved in the operation or direction of the production, he or she may deduct the amount of his or her investment from all income earned in the same year. Productions with budgets between o $1 and $15,000,000 (up to $20,000,000 if produced in a defined low-income location) which have at least seventy-five percent 75% of its production completed within the United States qualify under Section 181.

Investors can be either individuals or businesses. In order to comply with Section 181, an investor will need to complete the required IRS filings along with their normal tax forms. A qualified accountant and attorney are always a good idea when trying to decipher and utilize the benefits of Section 181.


Not wanting to be left out, several states got in on the tax incentive game. States such as Michigan, New Mexico and even Illinois appreciated the value of attracting Hollywood productions to their state and the boom to their local economies. State film offices are great resources for investors and film makers alike in determining what incentives are available.


Tax rebates and incentives for money spent on film or television production within a particular state combined with the benefits of Section 181 allow an investor to greatly minimize his or her risk on what would ordinarily be a somewhat risky investment. For example, if a tax payer is in the thirty-five percent (35%) tax bracket and a qualifying film is shot in Michigan which has a tax credit of up to forty-two percent (42%), an investor will be eligible to recapture seventy seven percent (77%) of her investment in a qualifying production. This recapture is realized before the film is even released and/or makes its first dollar. In today’s economy this type of investment assurance is hard to come by.


We will continue to monitor the Act and issue additional updates as they become available. For any questions related to Section 181 or private equity placements for film or television production please contact us at jkaplan@stahlcowen.com.

Oliver knows all about Section 181, do you?

Oliver knows all about Section 181, do you?





Bad News for GNR, Worse News for Best Buy

17 12 2008

Follow up post to Are you Exclusive (like a Chinese Democracy)?

The preliminary sales results are in for Chinese Democracy and they are not pretty.  It looks like Axl and the crew made out like bandits while Best Buy are left holding the bag (the bag of a million unsold copies of the CD).  Again, cd’s are dying, if they are not already dead. 

Read more about it here:  At Best Buy, an Album Sounds a Sour Sales Note.





How Can Q-Tip Leave His Wallet Without the Tribe?

15 12 2008

 

where's my wallet?

where's my wallet?

 

Recently I attended the Q-Tip and Cool Kids concert at House of Blues.  During a bumping version of Bointa Appelbaum, my friend Aaron, taking a brief break from bobbing his head off-beat, asked me how can Q-Tip play this song without the rest of Tribe?  Relishing the opportunity to spread my music and law knowledge I began explaining to him how copyrights work and wondering aloud whether a Tribe Called Quest had a band member agreement.  Aaron, much like most people I talk to about the law, immediately glazed over and went back to doing his version of the electric slide. 

I figure, however, if you are reading this blog, you may want to know how Q-Tip was able to publicly perform some of Tribe’s greatest hits or how Roger Waters could sing Dark Side of the Moon or how Phil Lesh and friends can delight fields of the unshowered with Sugar Magnolia.  These artists have the ability to dig deep into their former band’s repertoire for several reasons. 

Most of us have been to a concert where the headliner covered another song.  Bands can play other bands material at a concert so long as they register the performance (oftentimes after the fact) with ASCAP, BMI or SEASAC.  But the Q-tip situation is a bit different.  Q-Tip was treating the crowd to set full of classic songs made famous by his former group.  If Phife Dawg was on tour, could he ask if he “Can Kick It” (click on the link to see who holds the copyright)?

The answer, unfortunately, is that it depends on how organized the band was.  If they had a band member agreement (see http://lawyer4musicians.com/2008/08/ for more about band member agreements) it undoubtedly contained provisions for an eventual band break up.  Issues that may seem unnecessary today may have a huge impact later.  A leaving member or termination provision will have an invaluable effect on how your band’s brand is treated after the life the of the band is over.  If properly written, the termination provision will ensure that the band’s name and its value are not diluted.  It will set out who can use the songs, who can tour under the band’s name and who can re-issue recordings. 

 Think of it this way:  Smashing Pumpkins break up (for like the 5th time) but James Iha and Billy Corgan want to tour with new members using the Smashing Pumpkins band name and the Pumpkins’ catalog of music.  If there is no agreement between the members of the Pumpkins, and both try to tour under that name, they will both most likely fail or at least end up in court fighting for the right to use the name and songs.

For independent artists that are not quite at the band member agreement phase there are steps to take to ensure that this type of confusion and conflict do not occur.  First, just talk to your band mates about it; get a sense for where everyone is on the issue of song ownership.  Second, register your copyrights in your recordings.  The copyright registration  will allow you to designate the author of each song you register.  That way, if there is a debate down the road you can at least point to the copyright to show who owns what and who has to get permission from whom before a song is performed or recorded.  Third, trademark your band name.  The trademark registration will allow you to claim ownership of your band name and logo.  Finally, suck it up and put everything in writing.  Keep in mind your first agreement can be amended and modified as many times as you want. 

SHAMELESS SELF PROMOTION OF THE WEEK:  WHATZISFACE

 whatzCheck this MC out.  Okey Dokey makes the stiffest of us bounce a little bit.








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